We spend our lives moving through passages, hallways, corridors and gangways, yet they do not feature in architectural histories, monographs or guidebooks. They are overlooked, undervalued and unregarded; seen as unlovely parts of a building’s infrastructure rather than ‘architecture’. This book is the first definitive history of the corridor, from its origins in country houses...(展开全部)

This volume evaluates the dual roles of war and modernity in the transformation of twentieth-century Chinese identity. The contributors, all leading researchers, argue that war, no less than revolution, deserves attention as a major force in the making of twentieth-century Chinese history. Further, they show that modernity in material culture and changes in intellectual conscio...(展开全部)

This volume evaluates the dual roles of war and modernity in the transformation of twentieth-century Chinese identity. The contributors, all leading researchers, argue that war, no less than revolution, deserves attention as a major force in the making of twentieth-century Chinese history. Further, they show that modernity in material culture and changes in intellectual conscio...(展开全部)

Bruno Barbey débute, à tout juste vingt ans, un ambitieux projet : capter l'esprit d'une nation, l'Italie. Le résultat est un formidable périple affectif, généreux et profond. En 1965, le jeune photographe rejoint l'agence Magnum et se lance, tout en privilégiant une certaine photographie d'auteur, dans une carrière de photojournaliste. Il se rend au Biafra au début de la guerr...(展开全部)

Bruno Barbey débute, à tout juste vingt ans, un ambitieux projet : capter l'esprit d'une nation, l'Italie. Le résultat est un formidable périple affectif, généreux et profond. En 1965, le jeune photographe rejoint l'agence Magnum et se lance, tout en privilégiant une certaine photographie d'auteur, dans une carrière de photojournaliste. Il se rend au Biafra au début de la guerr...(展开全部)

劳拉·布朗（Laura Brown），美国康奈尔大学英文系教授、系主任，研究领域为18世纪英国文学与文化，担任美国18世纪研究学会主席。主要研究专著包括《帝国的终结：18世纪早期英国文学中的女性和意识形态》（Ends of Empire: Womenand Ideology in Early Eighteenth-Century English Literature，康奈尔大学出版社1993年），《现代性的寓言：18世纪英国的文学与文化》（Fables of Modernity: Literature and Culture in the EnglishEighteenth Century，康奈尔大学出版社2001年），《流浪狗和忧郁的猿：现代文学想象中的人和动物》（Homeless Dogs and Melancholy Apes: Humans ...(展开全部)

Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a r...(展开全部)

Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a r...(展开全部)

劳拉·布朗（Laura Brown），美国康奈尔大学英文系教授、系主任，研究领域为18世纪英国文学与文化，担任美国18世纪研究学会主席。主要研究专著包括《帝国的终结：18世纪早期英国文学中的女性和意识形态》（Ends of Empire: Womenand Ideology in Early Eighteenth-Century English Literature，康奈尔大学出版社1993年），《现代性的寓言：18世纪英国的文学与文化》（Fables of Modernity: Literature and Culture in the EnglishEighteenth Century，康奈尔大学出版社2001年），《流浪狗和忧郁的猿：现代文学想象中的人和动物》（Homeless Dogs and Melancholy Apes: Humans ...(展开全部)

In an exploration of the complex relations between women and the modernity. She also calls into question those feminist perspectives that have either demonized the modern as inherently partiarchal, or else assumed a simple opposition between men's and women's experiences of the modern world. Combining cultural history with cultural theory, and focusing on the fin de siecle, Fel...(展开全部)